Tuesday, April 28, 2009

My night on the set of Star Trek

st09logo_new_s

 

 

 

 

I know this is a music blog page......But how many times do I get to be on the set of a major motion picture. 

On March 14th 2008, I was an extra on the set of the new Star Trek Movie that is being released in Theaters on May 7th 2009.  

I kept mum about it, but now that the movie is coming out (And has already had advance screenings), I figured it was OK share my experience. 

As I write this, the film has not yet come out, and I don't even know if the scene I was in will even be in the film. All of my observations and conjecture about the film have been written before seeing it. 

A few months prior to the filming I saw a posting for open casting call for extras for a Paramount feature entitled "Corporate Headquarters". This was on the Trek Movie website which was kind enough to explain that Corporate Headquarters is the code name that Paramount is using for the new Trek movie (this is common practice for studios that want help maintain secrecy on a production while it still in production ). 

 I have been a fan of Trek since I was in Jr High School and I think it would be cool to be in Trek, even if it's just walking around in the background.  

It was an open call, so I went to it.

The casting call consisted of standing in a long line with a bunch of people, filling out an information card and getting their picture taken. 

I didn't hear anything back for months until Feb 21st, when I got a call from a casting agent, asking if I could show up at the Paramount studio lot for a meeting. 

The meeting was nothing more than me and a bunch of other guys standing in a line up while a casting director looked us over and decided who was in and who was out. 

I was chosen with several other guys. 

We where fitted for shoes that day and told that we would be playing prison inmates. We where asked to not cut our hair, and if possible to please not shave any facial hair or to let our facial hair grow. 

My beard grows very fast, so I stopped shaving the week prior to the shoot. 

The next week I was called to go to the Paramount lot again, but this time for a costume fitting. There I got a few more details. I found out that we where prison labor on a planet plunged in perpetual darkness doing some kind of mining work and that this would be a night-time shoot lasting all night. 

Later I would be called again and given a hotline number to call the day before the shoot to get instructions on where to show up and any last minute instructions (This is all done to maintain secrecy). We are told that it is expected to get very cold so be sure to bring any layering (for under your costume) that you want to and a coat to wear in between takes. 

The shooting was at the Port of Long Beach. The directions they gave me where very detailed and made it easy to find. My call time was 5 PM and I got there a bit early. When I parked at the designated area there where already a bunch of other guys waiting. A shuttle bus picked us up and took us to some tents that where set up outside of an industrial complex. 

Two tents where set up for costume and make up and one was just a holding area where we could just sit back and do whatever. They also have food cooking in case anyone is hungry. I had to fill out some paperwork to make sure I got paid. 

We are asked to get into costumes first. I brought some thermal pants and a shirt to wear underneath. The staff that helped us with costumes had no problem with the thermal pants but said my thermal shirt was to noticeable under my costume shirt. I told them to go ahead and cut it (seeing as how one of them was already carrying scissors)so it wouldn't show. I figured that they would have to do this so I brought something that I didn't mind throwing out afterward. Our costumes where thin and the thermal shirt would provide at least a small layer of warmth. Our prisoner costumes looked like rags. Something that might have once looked like a prison uniform, but that had been worn down over years. The sleeves where all torn up and the collar was low. 

Before leaving the costume tent everyone was given a large overcoat to put on over their costume. No cast member was allowed to leave any tent without their overcoat on. This is because we where outdoors and they didn't want any spy cameras to be able to take pictures of any cast member in their costumes. 

Also being fitted where Klingon, Romulans, other assorted aliens, and (in another tent of course LOL) female prisoners. 

The make up part was really fun. I wish you could have seen how wretched and miserable they made me look (We were not allowed to take pictures). I looked like the grime was embedded in my skin. They sprayed stuff in my hair that made it look horrible. I looked like I hadn't bathed in years. They also put scrapes and cuts on my knuckles and arms. These was so much attention to detail in the make up process. 

While there I watched guys being made up into Romulans and Klingons. I noticed that the Klingons where not being outfitted with large ribbed heads that we are used to seeing in the TV shows and films, but where just being either made up with original series Fu Manchu style mustaches and goatees or having their own facial hair accentuated to look that way. 

This made me think that they where going to go with the look of the original series Klingons, but later I would find out differently (I'll tell you more later). 

After make up and costume there was a lot of hanging out and chatting with all the other background actors. The studio made sure that there was plenty to eat and drink in the holding area. 

I had a fun time talking to everyone. Some were Trek fans like myself who where not trying to break into movies and TV, we just saw the casting call and wanted to be in Trek in some small way. Some were aspiring TV and film actors but where Trek fans too, and some were struggling actors and actress' who knew nothing about Trek and this was just another days work. 

I found more than a few people that where musicians like myself. Some of them where there to be in Trek ,and some also moonlighted as background actors, or where trying to break into film and TV also. 

Before filming began we where all lined up again for the costume director to give us a final look over. 

He pulled me aside and said to one of his assistants that he felt the colors of my shirt needed to better match my pants. The prisoner costumes where comprised of multiple layers of ragged material varying shades of grey to brown. So I was taken to another tent where a woman used a tool to pull out more darker colors. 

Now all the while, the one thought that went through my mind was: 

I'm a damn prisoner on a damn prison planet (and it looks like the Klingons are running it). I'm slave labor. Why in the world does it matter that my pants and shirt match? Are the Klingons afraid of the fashion police? 

I tell this to the woman who is correcting my costume and we both have a good laugh over it. 

Finally we are taken to the set. 

With our protective overcoats on, we are all boarded onto a bus. and driven to an out door set where we will film. 

Our prison world set was in the middle of a large open in area and surrounded by industrial buildings. One those buildings would be used as a break room for us. 

The sets can best be described as partial sets and I assumed that the rest would be filled in with CGI effects. But there was no blue screen set up anywhere (Yes, I watch my DVD extras LOL). We can see all the industrial buildings and even a water tower in the background

Now I finally get to see the Klingons in full costume. All the Klingons are wearing the metal helmets that covers there entire head and face with the exception of that Fu Manchu facial hair I mentioned earlier). 

When I first saw the Klingons being made up I thought that maybe they where going back to the look of the original series, but now I am back in the dark as to how the Klingons might look in this film.

So now the filming begins.......

The scenes that we are doing have the prisoners working while the Klingons supervise us. So we are organized into work groups. and given various tasks to do. Some of us are turning cranks on large machinery. Some of us look like we are breaking rocks, some of us are carrying objects on your backs and being marched in a line by Klingons, etc, etc. 

Before the actual filming begins the 2nd unit director talks to us about our environment. He reminds us that our planet is perpetually dark, and that lightning is always crashing over us. He tells us that there will be some simulated exlposions going on around us for when the lightning hits the ground. We are given a demonstration of the explosion effects so that we know what to expect. The explosions are not big but they are loud, and the actors who are being marched across the set are shown where the exlposions will be going off, so that they don't walk into them. earplugs are handed out for anyone who wants them. We are told that are years on this planet have made us used to the lightning and the occasional explosions they create, so don't look to startled by them. 

This is being handled by the 2nd unit director, but I notice the films director JJ Abrams (Whom I recognize from my DVD extras)on the set too. He has occasional conversations with the 2nd unit director. Later on he left the set (probably get some sleep LOL) But first he looks everything over and checks out some of the filming. 

Before the Director says action they have a few last minute things to get ready so we just hang out and joke around a bit. Some of us prisoners start teasing the Klingons shouting out taunts like: "They're not so tough looking!" and "We can take em'!".   

At one point I get a chance to hold one of the Klingons prop guns. The Klingon actors are all big guys and are all dressed in these uniforms that have bid leather coats and gloves.

With all our groups assigned the Director shouts action and we begin to go through our paces. Then we do it again.....then we do it again.....and again, and again, and again, and......Well you get the idea. 

At first I am breaking imaginary rocks in a large metal container with a large metal tool. There are a few other prisoners that I am doing this with and we make it look like what we are doing is hard and we are being worked to death. in between all these takes we start joking around about how all of this is just a stepping stone in our careers as prison labor. I point to the actors who are being marched by the guards and joke "Pretty soon that's gonna be me man!".

But this turns out to be true as I get switched into the group that is marching across the set. 

Now I get to walk past the explosions. I am wearing the earplugs and they are still loud. It's hard to not be startled by them as I march past. I get to do this a number of times and I notice that we are walking past a scene that has an alien character being strangled by a snake like creature. A number of the Klingon are gaurds are watching this as part of the scene and are muttering stuff in Klingon in response to it. 

What I remember most is that there is real atmosphere of fun on the set in spite of the gloomy scenes we are doing. 

Occasionally we are asked to go the break room while they set up the cameras differently. They take pretty good care of us and make sure the break room is well stocked with snacks and drinks.

For the first half of this filming I notice how quickly I adapt to the cold. Our costumes are very light but the cold doesn't seem to be bothering me much (This will change later). During one break I notice one of the Klingon actors is sitting outside with his helmet off. His head is dripping with sweat. The Klingon costumes are huge and bulky, and it must get hot in them even out in the ocean air. Also during one break a film crew comes in and films us on our break (I assume this must be for possible DVD extras or something. 

I should also mention that not all the prisoners are human. We have a lot of alien prisoners too. There are a number of us that are outfitted with rubber masks, gloves, etc. There is even one guy who has an entire lizard man outfit on complete with tail (not sure if he's supposed to be a Gorn or not). I also notice another alien made up like the salt vampire from the "Man Trap" episode. These are clearly just cool little fun in joke bits. 

Before going to lunch (If you can call it that) The director preps us on some of what we will be doing when we come back. This scene will involve all the prisoners lined up in 4 to 5 long rows and all us pulling long heavy ropes across our backs. We have to make it look like we are pulling the heaviest thing in the world while the Klingon's prod us to work harder. The ropes are just tied to a water tower and director tells us that the water tower wont show up in the film and that he has no idea what it is we are actually pulling. I think to myself that he probably does know what it is, but doesn't want us to know, since it might be an important plot point. 

So we break for lunch/dinner/whatever, we put on our overcoats and are bussed back to our tent where they have dinner catered. This time period is also a lot of fun as I get to hang out and just enjoy conversation with the rest of the background actors. 

The first thing I notice when we get back to the set is just how much COLDER it's suddenly become.

Part of it might be the change of going from the heated tent to the outdoors again, but as the night has progressed, it has gotten significantly colder. Now the Klingons have it better with their heavy outfits. 

 

In spite of this, I stay away from the break room during our breaks. I know that going back and forth from cold to warm will be worse than just staying out in the cold, so during all breaks I just put on my coat and hang out in front of the building with a warm drink. 

Now we start to film that scene that has us pulling the ropes. I had to wonder about the importance of this scene since we had to do this so many, many times with a number of changes for different angles. 

Like the scenes before it, there was a lot of waiting in between takes. There was a lot of goofing around (amongst us prisoners that is) during these waiting periods. But every time the director yelled "action" we were on our marks and ready to play the part for the camera. 

It gets really cold in between these takes just standing there waiting. At one point I remember one guy getting so cold that he started doing push ups on the ground to warm up. A couple of us warned him that, that would only make him sweaty and make it worse once he stopped. 

I dealt with the cold in between these takes by doing by best to take my mind off of it as much as possible. I did this mostly by joking around and talking to my fellow prisoners. At one point  during a particularly long wait, I called out to the Klingon guard who was waiting like the rest of us to do his thing too. 

"Oh Mister Klingon guard" I call out, as if calling for a waiter. 

The Klingon, who is a good sport, comes running up to us to hear what I have to say. 

"You see those nice leather gloves that you have on?" I ask him. 

He nods quietly. 

"Well do you think we could all get a pair of those?" I ask motioning to the other prisoners, "Because these ropes are really starting to chafe". 

The Klingon nods quietly and I turn to my fellow prisoners and say "See, you justhave to know how to talk to them". 

Everybody has a good laugh and hopefully forgets about the cold for a few seconds. 

 

Now as if the cold wasn't bad enough, The director wants to know if there are any of us willing to go shirtless for a scene. We are told that there is the potential for more screen time on this scene for those that do (In other words you have better chance of seeing yourself in the movie). I don't volunteer, even though they are setting up some heaters off camera. 

These scenes involve the Klingons executing some of the prisoners. The rest of us are set about doing other work tasks while executions are taking place. Some of these tasks involve working with machinery that give off small butane flames that generate heat (thank God LOL). 

About the only good thing about the cold is that it does keep me awake. But somewhere between 4:30 and 5am I begin to notice that the temp has  warmed a significant 5 degrees or so. Later on it's back to puling ropes. And we do this till the sun comes up and they can't shoot anymore. We all go back to the break room to get our overcoats, and personal belongings and wait for the bus to take us back to the tents. 

As we line up for the bus the director personally addresses us all and thanks us for out time and work. "I know it was cold and uncomfortable shoot for you. But you all performed admirably and never complained......Truth be told we all complained a lot....we just did it with good humor.   :)  

Then it's off  to the tents to get back into civilian garb and check our costumes back in. Everybody is required to remove all make up before being shuttled back to the parking lot where are cars are parked. The make up tent is set up with staff to help us remove our make up. 

My make up wipes off quickly with some moist towels and I am ready to go (I will have to wash my hair when I get home). 

At just a little after 7am, I am back in my car and driving home. The hardest part now is just staying awake, so I dial up a family member on my headset, so that the conversation will keep me awake. 

All in all, it was a really cool experience. Yes, it got very cold, but what I remember the most is just how much fun I had that night. 

UPDATE: The Trek Movie website has just posted a story about a scene involving a prison break is going to be cut from the theatrical release of the movie but will be included in the DVD version......At this point I am guessing that the scene that I am in will not be in theaters.....deep sigh LOL.......But I am still looking forward to seeing the movie the weekend of the 7th

TJR finds some music worth buying for FREE - 04/28/09

Here are some free tracks that I have listened to 3 times and have decided that I can recommend them to you

Free tracks don't always stay free forever - GET THEM WHILE THEY ARE STILL FREE! 

 

61hquowscvl_sl500_aa280_Little Bit of Heaven
by Cheval Sombre
From the Album Cheval Sombre




A cool spacy 60's meets modern alt rock click here to get it

 

51mismdh2vl_sl500_aa280_Oh My Soul
by Susan Marshall
From the Album Little Red

 

Get hot bit of cool soul and blues by clicking here

 

41o2k6v7mel_sl500_aa280_
The Show Is On The Road
by Paleface

 

 

 This is a really fun honkytonk/blues/folk americana song - click here to get it

 

61p3bsswtl_sl500_aa280_Fortune Cookie
by Los Straitjackets
From the Album The Further Adventures of Los Straitjackets

 

 get this awesome bit of instrumental bit of surf/blues by clicking here





Robert Kinsler's Electronica Rock Round Up - Music Worth Buying 04/28/09

The 1980s saw an explosion of ‘80s rock known as new wave, with artists such as Depeche Mode, the Pet Shop Boys and New Order becoming prominent voices in the electronica movement. 

Although the future of New Order has been in question since the departure of bassist Peter Hook in 2007, both Depeche Mode and the Pet Shop Boys have released outstanding new albums that will please fans of the seminal outfits. In addition.

 

colortheorythethoughtchapter

Huntington Beach-based Color Theory is back with an outstanding full-length effort that is truly one of the electronic artist’s best-ever albums.

Color Theory’s “The Thought Chapter” was released in November 2008, but has been thrust into the well-deserved spotlight this year with the song “If It’s My Time to Go” named Grand Prize Winner as part of the annual John Lennon Songwriting Contest.

The making of “The Thought Chapter” was a five-year project for singer-songwriter-keyboardist Brian Hazard. The album is packaged in a wonderful six-panel Digipak with original drawings by Maya Klein; “The Thought Chapter” features 11 Hazard originals, as well as a creative cover of Death Cab for Cutie’s “Photobooth.”

For listeners who enjoyed the Color Theory’s 1999 effort “Perfect Tears” or 2003’s “Color Theory presents Depeche Mode,” “The Thought Chapter” marks another dramatic step forward for Hazard as an artist and producer. Both introspective and artful, songs such as the involving “Figured Out,” probing “Hypothetically” and wonderful “If Not Now When” prove that “The Thought Chapter” was well worth the wait.   

Thought Chapter on Mp3

Thought Chapter On CD

 

soundsoftheuniversedeluxeAfter an edgy instrumental introduction that marks the beginning of “In Chains,” Depeche Mode’s “Sounds of the Universe” settles into the welcome stride of a veteran act that remains securely at the top of its creative powers.

 Both “In Chains” and “Hole to Feed” showcase singer Dave Gahan’s powerful baritone positioned against a backdrop of interesting programming and electronic flourishes. Things get even better by the third track, with the radio-friendly “Wrong” finding Gahan’s lead vocals blending with Martin Gore’s tenor in counterpoint fashion as the song builds to a fitting finale.

This is dazzling album that boasts fine songwriting from Gore and Gahan, and a disc that reveals more depth with repeated play. Standouts on the album (“In Sympathy,” “Peace,” “Miles Away/The Truth Is”) will likely be equally explosive when the band embarks on a world tour this spring.

Listening to “Sounds of the Universe – the band’s 12th full-length effort – it’s clear that Depeche Mode’s influence continues to grow. A growing crop of 21st century heroes have been influenced by the band, including the Bravery, Franz Ferdinand and the Killers. There was a time when rock ‘n’ roll was reluctant to welcome the techno likes of Depeche Mode: no more.

Depeche Mode’s “Sounds of the Universe” is available as both a single-disc audio CD and as a deluxe edition that includes the 13-track CD and a bonus DVD with a “Wrong” video, a short film, the album mixed in 5.1 Surround Sound and more bonus material.

Long-time fans of Depeche Mode will want to not only pick up at least one of the versions of “Sounds of the Universe,” but also get the newly-issued DVD “The Dark Progression,” a full-length documentary film from MVD Visual that traces the 30-year history of music’s most successful electronic band. Set for release on June 16, 2009, the 97-minute documentary notes the creative development of the band from it’s beginning in Essex, England at the dawn of the 1980s through a variety of triumphs and struggles – notably the departure of Alan Wilder in 1995. 

The release features interviews with band members, as well as Gary Numan, Thomas Dolby, OMD’s Andy McCluskey and other notables to provide an excellent look at the group.

Mp3 Version

Standard CD version

Deluxe CD/DVD version

 

Depeche Mode isn’t the only legendary artist to celebrate a big return in 2009.

petshopboysyesEngland’s Pet Shop Boys (singer-keyboardist Neil Tennant and keyboardist Chris Lowe) haven’t lost a sonic step. “Yes” is a bona fide gem, with the instantly- “Beautiful People” recalling the duo’s best-known classics (“West End Girls” and “It’s a Sin”). But “Yes” is a strong album from start to finish, with “Love etc.,” “Did you see me coming?” and “The way it used to be” also delivering dance-minded songcraft.

The album’s production is excellent, with the lushly-textured “King of Rome” and “Legacy” showcasing the dreamy reaches of Pet Shop Boys’ magical blend of electronic and synthesizer pop soundscapes. 

YES mp3 Version

CD Version

 


Wednesday, April 22, 2009

TJR finds some Music Worth Buying - For FREE! 04/22/09

Free tracks don't always stay free forever.....GET THEM NOW WHILE THEY ARE STILL FREE! 

 

61r60rljuzl_sl500_aa280_March Of The Balloon Animals
by Dengue Fever
From the Album Dengue Fever Presents: Sleepwalking Through The Mekong

 

Get this weird/fun instrumental here



51zd1kmmu5l_sl500_aa280_




Just Like Us
by Hayward Williams
From the Album Cotton Bell

Get this enjoyable and reflective bit of folk pop here

 

416wc26nfbl_sl500_aa280_Flat Tires
by Medeski, Martin & Wood

 

 

Speaking of weird instrumentals.......But hey, I dug it!  Get it here

 

51hl1mnvfrl_sl500_aa280_

My Only Offer
by Mates Of State

From the Album Barsuk Records: 2009 Amazon Digital Sampler


 

I enjoyed this fun alt/pop tune -Check it out here

Robert Kinsler reviews Doves - Kingdom of Rust Music Worth buying 04/22/09

61xfzozztml_sl500_aa280_

Artist: Doves
Album: "Kingdom Of Rust"
Worth Buying: Yes
You will be interested in this album if you are a fan of: Coldplay, Radiohead, Snow Patrol.
Tell Me More: Doves' latest album "Kingdom Of Rust" has been burning a well-deserved hole in my CD player since its release on April 7.
Like California's own DADA, England's Doves delivers a sound much grander than seems possible from a trio of musicians. And while DADA's sound is rooted in the psychedelic-pop of late '60s-era Fab Four, Doves' drummer Andy Williams, singer-bassist Jimi Goodwin and singer-guitarist Jez Williams fall firmly in the experimental camp of modern day heroes such as Radiohead and Coldplay. However, "Kingdom Of Rust" reveals the British threesome as no mere imitators. Like the band's 2005 effort "Some Cities," this is an album that is beautiful and brave, soaring and sublime.
The title track boasts a country-tinged backdrop, with the group's characteristic manner of using sonic layers to blend classic and indie rock sensibilities working masterfully, while the glorious "Jetstream" recalls the group's musical ancestors such as Kraftwerk and Radiohead.
Other outstanding tracks include the psychedelic-tinged "House of Mirrors" and dazzling anthem "Winter Hill."
What about the packaging? Released by Astralwerks, the 11-song "Kingdom Of Rust" has been issued in a standard jewel case.

listen to Kingdom of Rust and buy in mp3 format

listen to Kingdom of Rust and buy in CD format

What if I am not ready to buy the whole album? Try Jetstream
Kingdom of Rust or Winter Hill

Concert note: For those of you who live in Southern California, be sure to catch Doves when the band headlines at House of Blues Anaheim on Friday night, May 15, 2009. Ticket prices range from $25.50 to $27.50. For more information, call 714-778-BLUE or visit the venue's Web site at www.HouseOfBlues.com.

This review was contributed by Robert Kinsler

Monday, April 20, 2009

It's the song that's King

180px-dutch_crown

One thing about releasing my  American Idol music video, is that it has really given me a glimpse into how the rest of America is thinking.

While reading through the comments, I noticed an argument between two youtube users.

One of them argued that no American Idol  contestant could play guitar as well as I (thank you, that was nice of you).

The other argued that just being able to play an instrument doesn't make you an artist (someone should tell that to Joshua Bell) and that you HAVE to be a great vocalist to be a great artist.

I certainly don't agree with this last statement. I can name tons of musical icons whose voices (while distinctive) would not be considered great voices by the AI judges. But what they had in common was the ability to create great songs that speak to you.

And that's when I realized that it's not the singer that is king.

It's not the guitarist that is king either.

It's not the drummer, the bass player......and it's definitely not the producer either.

It's the song.

It's the song that's king.

Somehow we as a culture forgot this.

One you might have missed: TJR Reviews Elton John's Here And There [Expanded and Re-mastered Edition] Music Worth Buying 04/20/09

51wve4esk8l_sl500_aa280_

Artist: Elton John

Album: Here and There

Worth Buying? Yes

You Will Be Interested in this album if you are a fan of: Elton John during the 70's,& great Live albums like Frampton Comes Alive, Kiss Alive, etc.

Tell Me More: It's funny how an album can affect you one way at one age and a different way at another age. Something you may not have liked when you where younger, you might find yourself enjoying when you get older....But of course it helps when the original presentation is improved on.

Growing up, I was a big fan Elton John's 70's output. And during the 70's (and at the height of his popularity during that decade) He released a single disc live album entitled Here and There. One side was recorded in England and the other side recorded in New York. I think the story goes that if you bought the album in the States, New York would be the "Here" side but if you bought it in the UK, England would be there "Here" side.

I remember hearing my bigger sister's copy of this album (on vinyl), and not being to thrilled with it. I decided I wouldn't purchase it. So I never did.

Later on I would learn that this album was just very quickly released in order to fulfill a contractual obligation to Dick James Music (Elton's Publisher). I would read that Elton didn't want the album released and even told fans not to buy it.

But my disappointment had to do with the the fact that it didn't sound like the studio recordings.

......Yes, I know, but I was young back then. And I guess I was also quite anal. I was also not a musician yet I hadn't realized that a studio album is just a snapshot of the songs as they where played by that particular group of musicians at that particular time. Maybe it had to do with the strict classical piano lessons I was taking, But I was of the opinion that once songs where recorded, they where somehow etched in stone. That no note could ever be played any other way than how they where played on that studio recording.

I didn't realize that the whole point of going to a live show was to see: How they would do it live. And that a group of (really good) musicians would grow and change and that the material would change with them.

How boring I was.

Of course now, I know better now. And I am obviously a lot less anal than I used to be. Because now I listen to this album and think, what amazing live band this is! This is the original classic EJ band with Davey Johnstone (one of the great unsung guitar hero's in my book), Nigel Olsen on Drums, Ray Cooper on Percussion and Dee Murray on Bass.

Originally released a single vinyl disc, you where only getting a sampling of the entire show. The albums CD counterpart has correct this. This CD contains more than double the amount of tracks! Now instead of just being given a smattering of a two live shows, it feels like you are given two complete live shows. By way of comparison The New York side originally had only 4 tracks but on CD it contains 13 tracks. The England side is upgraded from 5 tracks to 12 tracks

On Disc one (The Here side) Elton gives a performance to Britain's Royalty at the Royal Albert Hall. It is a retrospective performance starting with Skyline Pigeon from his very first album Empty Sky and moves chronologically ending with Saturday Night's all right for Fighting from Goodbye Yellow Brick Road. In spite the concerts location, This performance comes off as very intimate.

Disc two (the "There" side) is recorded in front of a lively New York crowd on Thanksgiving day at Madison Square Gardens and opens with Funeral For and Friend/Love Lies Bleeding from Goodbye Yellow Brick Road. Among the many tracks not featured on the albums vinyl release is three tracks featuring special guest John Lennon. Lennon joins the  band Elton's remake of Lucy in the Sky With Diamonds (A big hit at the time), Lennon''s Whatever Gets You Through the Night, and I Saw Her Standing There (A song that Lennon didn't originally sing on).

Sadly as it turns out, these tracks would end up being John Lennon's last live recorded performance.

Both England and US performances feature Your Song and Take me to the Pilot. Now this might seem redundant to feature these two songs twice, but it really gives you the chance to hear what can be so special about live a performance. Because each performance is different. The British side features a solid rocking performance that is mostly faithful to original studio version (with slightly longer jam session at the end) but the American side clocks in about 2 minutes longer. It features a completely new opening and a hot improv callback answer section between elton and guitarist Davey Johnstone

This remastered and expanded CD version came out in the late 90's and I ignored it for a long time because of my childhood memory of it's vinyl counterpart. I am sorry I didn't catch up to it by now.

So now I wonder, what if Here and There had been released as a double Vinyl album back in the 70's? Listening to this expanded version, I think it might have become a classic live album in the vein of Frampton Comes Alive, or Johnny Cash live at Folsum Prison.

What About the Packaging? Standard Jewel Case . Some new retrospective notes. But that's about it.

Listen to samples and Get Here And There on CD here

The mp3 version is here, but it's the same price as the CD version

Wednesday, April 15, 2009

TJR Reviews Fork In The Road by Neil Young Music Worth Buying 04/15/09

41j07mkzakl-1_sl500_aa280_

Artist: Neil Young 

Album: Fork in the Road

Worth Buying: Yes, every song is great. 

You will be interested in this album if you are a fan of: Neil Young during his Garage Rock/Hey, Hey, My, My/ Grunge rock periods

I've always said that it's great if you have a message to convey with your music, but you still have an obligation to write a good song first. And by good, I mean a song that is enjoyable to listen to, if you are aware of the message or not. 

You still have an obligation to entertain your audience. Otherwise you are just preaching. 

This brings me to Neil Young's latest album "Fork In The Road". Like his prior Living With War album, this is a concept album. This time tied the theme of cars. It is an album about a nation that is at a fork in the road regarding its love for the automobile vs. it's need to remove it's dependence on oil (foreign or otherwise) as a fuel source. It is an album about how that fuel source drives our economy and what happens when that economy starts to tank (no pun intended). 

Neil himself is an auto enthusiast and I am sure that there are a more than a few of you reading this, that might be aware of  his LinkVolt project which has converted his 1960 Lincoln Continental into a green vehicle (a process that he wants to make practical and affordable to anyone). This album is about that journey too. So the album begins with Neil beginning a road trip (with us riding shotgun In the song When Worlds Collide: 

Taking a trip across the USA
Gonna meet a lot of people along the way
Far and Wide
Floating along on the Rio Grande
Coca Cola in my hand
In the promise Land


Now at first glance the idea of this album sounds like it would yield more preaching than enjoyable songs, but I found myself very quickly entertained by this album. 

Neil Young described his prior LWW album as a kind of Metal meets Folk music. This album is the grungy guitar heavy Neil Young to be sure, but it is much more Blues and even echos a little bit of his often misunderstood ( and fun)rockabilly album "Everybody's Rockin". 

On the surface many of the songs on this album can be heard as great road songs. They work on that level. But dig deeper and there is so much more here than a simple "We gotta go green message". Neil understands this is easier said than done. That it won't happen without a real revolution of commerce and industry. In fact, three songs into the album he eschews the whole hippie mentality of songs changing the world in the aptly titled: Just Singing A Song (won't change the world). The song comes complete with Neil's own version of a "We are the World" style chorus. And while singing a song alone can't change the world, he does take the time to say that singing a song can inspire you to start working to change the world. 

For me a lot of songs on Fork in the Road become enjoyable very quickly. It's almost impossible to listen to the chorus of  "Cough Up The Bucks" with it's changy distorted guitar line and almost rap/spoken chorus and not already be singing along with it before it's even over. But then even more amazingly, is that after that chorus we get the contrast of the Folk Neil Young singing a beautiful melody on the verse accompanied by angelic background vocals (with guitars still distorted). 

Another standout track is "Light A Candle". Here he have the Harvest Era Neil Young. The song is beautiful and is a prayer of hope. 

Instead of cursing the darkness,
Light a candle for where we're going,
There's something ahead, worth fighting for.


When the light of time is on us,
You will see our moment come,
And the living soul inside will carry on.


It's a chance to give new meaning to every move we make,
In the cavern, in the cave, where we come from.



When the light of dawn is on us,
We will see what we can be,
And the ancient ones can sleep an easy sleep

In the hallways of the ages, on the road to history


What we do now will always be with us



It was not hard to enjoy this album and I am enjoying Fork in the Road more and more, with each listen. Never did I feel like I was being preached at or preached to. I think this is one of his stronger albums. 

What about the packaging? Neil loses a few points with me here (although over all I like the packaging). The album comes in equivalent of a mini gate fold LP sleeve (which I like). There are two versions. One  with a bonus DVD that features live footage and an ultra higher quality version of the album for your DVD player. All this is good, but where it looses points is in the almost indecipherable way that the lyrics are printed. Some of us like to read the lyrics while we listen and he makes it very hard to do this. But this is still a great album to get. 

 Buy the CD /DVD Version of Fork In The Road for the same price as the CD version here

Listen to samples and buy in mp3 format here

What if I am not ready to buy the whole album? Try downloading Light A Candle  or Cough Up The Bucks

Tuesday, April 14, 2009

Dealing With Online Hate

images1

 

 

My friend Alan at Kick Acts Magazine and I got into an online discussion regarding internet haters (people who have nothing better to do than leave mean and hateful comments at internet forums).  And it reminded me of a story that I think I will share with you.

A couple years ago, I was reading a story on the Aint it Cool News website about fan produced web series called Star Trek Phase II. Their goal has

been to produce new episodes of the original Trek series series (the missing 4th season if you will).

For the uninitiated, Fan Film making has replaced what used to be called fan fiction. In the case of Trek: Fans used to write their own Star Trek

stories back in the day that they would distribute for free to other fans (the quality ranging from horrible to professional). In the digital age Fan Film-making has taken it's place.

Now just the thought of this con jours up horrific scenes of an Ed Wood style train wreck production, consisting of fake looking sets made of cardboard, and plastic model space ships hanging by strings, etc.

But as it turns out, this group of independent (fan)film-makers turned out some impressive results. They built professional sets that looked just

like the sets of the original series, they created authentic costumes. They used professional CGI efx, they used professional editing, music scoring, etc.

As watched their fan produced episodes, I just kept thinking how impressive their achievement was, especially considering the fact that they had no studio to back them. That this all had to be self funded.

What's more they couldn't make any money off of it (Apparently Paramount pictures agreed to look the other way as long as no money was made from

their productions). It was a real labor of love, and even if there where brief moments that might not be up to the standard of a major studio production with a huge budget, you had to marvel at how amazingly good their production looked.

So when I went back to read the reader comments on this story, I was shocked at how many Internet haters just tore this labor of love apart. I am not talking constructive criticism I am talking just mean spirited HATE.

I remember one comment was along the lines of "I watched two minutes of this sh*t-fest and had to turn it off, because I was laughing so hard at how awful it was".

I was so angry at these haters, I wanted to call them out for the A-holes that they where. I wanted to ask them what had they ever accomplished or created that could rival the work of these fan film-makers since I knew that most of them probably couldn't even color in between the lines of a coloring book.

As a musician, I know that some of the most unwarranted and mean spirited reactions come from people who probably can't even play the radio, much

less play a musical instrument (and I am sure that many professional musicians reading this will agree).

But dealing with Internet haters is part of the game. If you are getting any kind of audience or attention, you are going to start getting haters too.

It's like the old style hecklers but worse because they have anonymity of the Internet. They don't have to face you and can hide behind an Internet handle.

On Youtube I  get a lot of these, especially with the American Idol video getting so many views. Now the upside to this, is that with a site like

youtube, I have time to think of a comeback line, and since youtube sends all replies to the person who instigated the comment, I know that they will get it.

I have had some fun ridiculing haters on the Internet, but now sometimes I wonder if  some of them aren't reading the previous comments and thinking; "I wonder what he will say if I say......."?

I wonder if I am just encouraging people to say mean things now.

In one weird twist of events, I let loose a salvo of smart ass replies directed at one hater who left mutlitple mean comments on a number of my videos and he started respecting me for being able to zing back at him so well.

When I was a kid I used to lose my temper at other kids who would make fun of me and get into fights. My Mother would say to me "Just ignore them".

Which makes no sense when you're a kid.

But as an adult you can see the wisdom in those words.

Tuesday, April 7, 2009

TJR reviews Red Letter Year by Ani Difranco / Music Worth buying 04/07/09

41scar80i6l_sl500_aa280_

 

Artist: Ani DiFranco 

Album: Red Letter Year 

Worth Buying: Yes, but she is going to make you work for it. 

You will be interested in this album if you are a fan of: Alternative Folk / Singer Songwriters who are daring and don't care what you think of them

Tell me more: You know, I'm like most people. I like strong hooks in a song. A strong repeating chorus, a melodic hook, or a combination of both.

It takes repetition to know if you like a song, or piece of music. That is why we have the repeating chorus. By the time the song is done we have heard it about 3 or 4 times. A great chorus is what initially draws us in and keeps us going during the verse the first time we hear the song. It's what makes us listen again so that we can better get to know the intro, the bridge, and the rest of the song. 

But in spite of this, I can hear an album like Jethro Tull's Passion Play or Aqualung, where almost nothing like this is present and still be entertained by what I hear. But it takes more work. It takes longer to absorb it. 

This brings me to Ani DiFranco's latest album "Red Letter Year". For the uninitiated: Ms DiFranco is the Godmother of independent artists. She indie long before the Internet and CD baby made it possible for you to release an album without signing to a record label. Ani DiFranco created her own record label, released her own albums, and created her own career without the help of the mainstream media music machine. She built up her own career and a loyal following and when the labels came calling she said no and kept going on her own path. I have nothing but admiration for her accomplishments. 

Red Letter Year is her 20th studio album. It features songs that for most part, don't have any repeating chorus's. But that doesn't mean there aren't any hooks. It just takes longer to realize them.

In the atmospheric opening title track I am taken down a dreamlike landscape to the lyrics of 
new years eve we dropped mushrooms
and danced around the house
making music with everything that we found
incantation replaced resolution
and we vowed to allow each perfection
that we could be
and the goddesses sent word
that this would be a red letter year
they didn't mention how much shit was gonna change around here

There is no chorus to really speak of just a dream like narrative and as the song progresses I realize that this is a song about New Orleans and the disaster that struck there. It feels like it's being told from the perspective of someone who is having a dream about it after the fact. And at the end of the song, I am left unnerved by the closing lyrics 

so let's pull up some barstools
and get ourselves a ringside seat
for one unnerving moment
they're gonna show the truth on TV


In the song Present Infant we are greeted with the ponderings of insecurity 

lately i've been glaring into mirrors 
picking myself apart 
you'd think at my age i'd of thought 
of something better to do 
than making insecurity into a full-time job 

making insecurity into an art  



Once again there is no real chorus....or is there? midway through the song she reflects on the new experience of motherhood (two years ago she gave birth to her first child). At the end of the songs she sings:

but now here's this tiny baby 
and they say she looks just like me 
and she is smiling at me 
with that present/infant glee 
and i would defend 
to the ends of the earth 
her perfect right to be


Then at the end of the song the chorus hits 

love is all over the place
there's nothing wrong with your face 
love is all over the place 


It is a wonderful chorus that hits you like a cool breeze. It is a great chorus and it takes to the end of the song to get there.....but it's worth the wait. 

I think that I could deconstruct each song this way....but I think you get the point. 

The first time I listened to this album, I was driving my car and I found my mind wandering away often. Later I found myself listening with earbuds and lyrics in front of me and the narratives started to sink in. Another time I was cleaning my car, and as I listened I found myself pausing and reflecting on the depth, and honesty of her music. 

For me the strongest and most impacting song is also it's strangest. A song entitled the Atom. A hymnal like prayer to science. 

the glory of the atom
begs a reverent word
the primary design
of the whole universe
yes, let us sing its praises
let us bow our heads in prayer 
at the magnificent consciousness
incarnate there


Red Letter Year was a challenge for me to listen to at first, but it is already paying off for me with each continual listen. 

What about the packaging: The packaging is beautiful. It comes in a digipak with a beautiful lyrics book that forces you to turn it around and around in order to follow along. The CD features a graphic of the moon and when you place it in it's sleeve it looks like a crescent moon. 

Listen to samples and buy Red Letter Year in the mp3 format here

Get it in the CD format here (It's worth it for the packaging)

 

What if I am not ready to download the whole album? At this link you can get the track Emancipated Minor for free

Saturday, April 4, 2009

The Case of the missing recording session







 

I actually did this recording session live in front of the camera and posted it on youtube. This last week I started to mull over the five different takes that I did and did something I don't normally do

I decided to I liked different elements from each take, so I started to cut and paste the elements I liked into one take. 

After I was done, I began to work on a different part of the song. 

I am not sure what happened, but later on I discovered (much to my shock), that all the work I pout on the keyboard solo was GONE! 

I don't know how it happend......It just happened. I couldn't undo it.

This session was largely ad-libbed. Once I came back to it, I had for the most part, forgotten what I had done. 

Luckily I had posted the footage on youtube. The next day I went and watched the above video over and over and relearned what I had recorded that day, and I recorded it again.

All I can say is thank goodness I video taped it.