listen to more samples and get Anastasis here
[youtube http://www.youtube.com/watch?v=c58_EdU9UtI&w=560&h=315]
Listen to more samples and get Synthetica here
Tell me more: No contemporary artist writes songs quite like Aimee Mann. On her newly-issued album "Charmer," the singer-songwriter offers up her literate observations via melodic and haunting songs that go down like vintage power-pop classics while boasting rich sonic colors and lyrical insights that artfully reveal themselves a little bit more with each subsequent listen.
Tell me more: A musical love letter to the 1960s, Susanna Hoffs' shimmering solo release "Someday" recalls the classic recordings of Petula Clark and Jackie DeShannon. Produced by the Mitchell Froom (Crowded House, Vonda Shepard, Ron Sexsmith), "Someday" is no mere experiment in retro music making. The collection of Hoffs-penned material tackles real world emotion (the breezy "One Day" and wistful "Holding My Breath") and pulls experiences from her own life together into an enthralling collection of 10 songs that clock in at around 31 minutes. "All I Need" is as confessional as any song issued this year, while "Raining" recalls some of those amazing Jimmy Webb compositions recorded by Glen Campbell ("By the Time I Get to Phoenix," "Wichita Lineman," "Galveston") in the late '60s. "Someday" is one of those timeless sets that demands to be played front to back, and over and over.
Tell me more: Like Brandi Carlile, Sara Watkins is a singer-songwriter not afraid to mix intelligent song craft and honest emotion in order to mine exciting new territory in the Americana genre. On her sophomore solo effort "Sun Midnight Sun," there is tuneful straight-forward material (the sing-along styled "You and Me" and "When It Pleases You"), bittersweet ballads ("Be There"), several fiddle-anchored instrumental tracks ("The Foothills," "The Ward Accord") and even edgy roots rock (a revised take on the Everly Brothers' classic "You're the One I Love" featuring Fiona Apple).
Tell me more: Blues is a genre where great artists are allowed to emerge on the scene, and over time, build solid careers based on strong recordings as well as via impressive appearances at legendary clubs and big outdoor festivals. At only 33, Shemekia Copeland is already a leading force in the blues world and one of the genre's leading proponents. The singer has already performed in the White House (sharing a bill with Buddy Guy, Mick Jagger and B.B. King) and was proclaimed "Queen of the Blues" at the Chicago Blues Festival in 2011. On the aptly-titled "33 1/3" (her age at the release of the album), the Harlem, New York native is clearly in a league all of her own; her voice belts out forcefully on the Chicago blues rocker "Lemon Pie" and on the soulful ballad "A Woman," while her spellbinding cover of Bob Dylan's "I'll Be Your Baby Tonight" and buoyant take on Sam Cooke's "Ain't That Good News" showcase her full-fledged interpretive skills.
Artist: Alvin Lee
Artist: Don McLean